DENVER CENTER: CSF gets a True West Award for costume design
(Above: Christopher Joel Onken and Carolyn Holding in “Troilus and Cressida.”)
In the summer of 2016, the Colorado Shakespeare Festival told stories that were bloody, bold and resolute. Not to mention steamy, sexy … and at times even funny. But the actors didn’t tell those stories naked. (It only seemed like it at times.)
Costuming has long been a design strength of the nation’s second-oldest Shakespeare Festival, which will turn 60 in 2017. But costuming was a particularly effective storytelling tool last summer in a Boulder lineup that included lesser-known tales Troilus and Cressida, Cymbeline and a new play about an attempt to coerce Shakespeare into writing propaganda for the king – alongside a fresh, gender-swapping take on The Comedy of Errors.
“They are all so creative that they can be hugely helpful in developing how we tell a story sitting right alongside the director,” Orr said.
While very different in style and aesthetic, this threesome shares a great commonality in skill and high standards. Together but separately, they helped their directors and actors transport audiences with their finery from the erotic carnage of the Trojan War in Troilus and Cressida to the untamed mythic forest of Cymbeline to jazz-age Paris in The Comedy of Errors – in which women played the two romantic leading men, and men played the two romantic leading women. Quincy Snowden of the Aurora Sentinel wrote: “Meghan Anderson Doyle’s outlandish outfits deserve special note for their eye-popping grandeur.”