Bud Coleman, Ph.D. in Theatre History/Criticism, University of Texas-Austin; MFA in Theatre: Directing, University of Utah; BFA in Theatre Arts, Texas Christian University. Professor, Chair of the Department of Theatre & Dance. CU faculty member since 1993.
Previously Adjunct Faculty, Department of Theatre, St. Edward’s University, 1990-1992; Dancer/Choreographer/Co-Artistic Director with Kinesis Modern Dance Company, 1989-1993; Assistant Instructor, Department of Theatre & Dance, University of Texas-Austin, 1988-1993; Wardrobe Supervisor, Dresser and Buyer for 10 Broadway productions and tours, 1982-1988; Comprimario Dresser, New York City Opera, 1980-1981; Dancer, Les Ballets Trockadero de Monte Carlo, 1978-1979.
CU directing and choreographing credits include Rent, Seussical, 14 (KC/ACTF Regional Selection), 2015 New Opera Workshop, Pippin, Wonderful Town, Songs in the Key of…Caffeine, A Funny Thing Happened on the Way to the Forum, Shakespeare’s Women, Six Degrees of Separation, Turkey!!!,Hair, Lysistrata, A Grand Night for Singing, and Dames at Sea.
Professional credits include directing/choreographic The Producers and Little Shop of Horrors for the Mount Baker Theatre, Bellingham, WA, writing and performing a one-man show An Evening’s Intercourse With Natasha Notgoudenuff, Bailiwick Theatre, Chicago, and directing and/or choreographing The Mikado, Angry Housewives, Chicago, The Mystery of Edwin Drood, and Into the Woods in Austin, TX.
Recent publications include:
- Coleman and Pamyla Stiehl’s Back Stage Pass: A Survey of American Musical Theatre (Kendall/Hunt Publishing Company, 2013)
- “’Give Us More to See’ – The Visual Worlds of Stephen Sondheim” in The Oxford Handbook to Sondheim Studies (2013)
- “Helburn, Dalrymple, and Lortel: A Triumvirate of Great Producers” in Women in American Musical Theatre: Essays on Lyricists, Writers, Arrangers, Choreographers, Designers, Producers, and Performance Artists, Eds. Judith Sebesta and Bud Coleman (McFarland and Company, Inc., 2008)
- “New Horizons: the musical at the dawn of the twenty-first century,” The Cambridge Companion to the Musical, 2nd ed. (2008)
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